Husa & Stucky Commissioning Projects
Throughout the next two years, the Cornell Wind Symphony will pay tribute to the late Karel Husa and Steven Stucky in a series of concerts featuring new works commissioned and performed in their honor and memory. Recordings will be posted here after each premiere.
Husa, the Kappa Alpha Professor of Music Emeritus, died December 14, 2016. The Pulitzer Prize winner taught generations of composers, including Stucky, and taught at Cornell for 38 years. In addition to the following works by David Maslanka and Dana Wilson, the Husa commissioning project will include music by the following composers: Byron Adams, Fred Cohen, David Conte, Thomas Duffy, Janice Macaulay, Brian Robison, Christopher Rouse, and Gregory Woodward.
Stucky, the Kappa Alpha Professor of Music Emeritus, died February 14, 2016. The Pulitzer Prize-winning composer was an important mentor to emerging composers and a prominent advocate for new music, and taught at Cornell for 34 years. Christopher Rouse has enriched the wind ensemble repertoire with a substantial piece in honor of Steven Stucky titled Berceuse Infinie.
Fanfare for Karel
90 seconds; premiered May 7, 2017
As this piece was written in honor of Karel Husa on the occasion of his passing, its material is derived from his classic work Music for Prague 1968. Interestingly, the opening motive of that piece, and of this fanfare, is related to Karel’s last name as follows: H–is the German letter for our note B; U–does not translate to a musical note; S–is the German letter for Es, or our E-flat; A–the musical note. That relationship, B-Eb-A, is transposed in the opening solo of Music for Prague to D-F#-C, and that same motive begins this fanfare. – DW
Christopher Rouse, arr. James Spinazzola
14 minutes; premiered May 7, 2017
Berceuse Infinie (“Infinite Lullaby”) was originally conceived for orchestra. The wind ensemble version…is dedicated to the memory of Steven Stucky, the dearest of friends, whose death came as a tragic and unexpected shock to so many. The work is cast as a single movement lasting approximately fourteen minutes. Notwithstanding a few more dramatic moments, the piece is largely contemplative and, I hope, consoling in tone. The harmonic language is tonally based. – CR
5 minutes; premiered March 18, 2017
This brief piece in honor of Karel Husa embodies two statements of a chorale melody (“Christ lag in Todesbauden”), and a short responsive instrumental song. The chorale statements are made by a small group of solo players and the song is presented by the full ensemble. – DM