Category Archives: Haiti/DR Blog 2017

  • -

Teaching the Smol Flute

We spent today at the Carol Morgan school in Santo Domingo, rehearsing onstage with three of the school’s concert bands. We held sectionals and individual sessions by instrument for the beginning and the middle school bands as well. My favorite part of this morning’s activities was working individually with Paulina, a middle school flute player. She was very eager to improve on the music and paid close attention to my demonstrations and comments. By the end of our time working on the band piece, she could play convincing accents, reach a louder max volume, and decrescendo without going flat. After that, we worked on strengthening the low register, and I showed her fingerings for high register notes – and she was able to play them! I always feel fulfilled when I am able to help another musician improve their playing, and I could tell Paulina was happy that she could play the band piece better.

–Vineeta Muthuraj, flute


  • -

Easy 20-minute Walk

I am on the bus crossing the border between Haiti and the Dominican Republic, and finally have the opportunity to reflect on my time in Haiti and just how much I have learned in this unique country. The past five days have truly been the experience of a lifetime, full of surprises around every corner. We were told before the trip to expect a certain amount of ambiguity, to be ready to go with the flow or change plans, and make the best of whatever situation arises. It was interesting seeing how some people got frustrated or anxious when things did not go as planned, while others were much more willing to go with the flow and cope with change.

I know that our trip would not have been nearly as impactful or meaningful without these difficult situations. When we got to the Palais Sans-Souci, we discovered that the “easy 20-minute walk” to the magnificent Citadelle was actually an hour-long, steep climb up a winding path. Despite this change, nobody changed their mind about going, and we all embarked on the arduous journey together, ready to support each other on the way up. Near the top, it began raining fairly hard, which made the path slippery and drenched everyone’s clothes, but we persevered and made the most of the situation. Surviving the trip to the Citadelle and back was a true bonding experience for us and absolutely revitalized my passion for exploring. Without the rain, the journey would have just been another sightseeing trip instead of the teamwork adventure it turned into.

Lots of other radical changes in plan arose during our time in Haiti, from unexpectedly meeting with the US ambassador to dealing with the unfortunate traffic which caused us to be nearly 4 hours late to our own concert. But with every obstacle, we found that we were able to work together as a group and have full trust in every member, even if we barely know each other. This trust even extended to complete strangers, when we loaded our instruments onto a truck in Port-au-Prince, and did not see them until our concert in Cap Haitian two days later. Although there were times when we had no control over where our instruments or luggage ended up, we found that every person we collaborated with in Haiti was looking out for us, and making sure that nothing bad happened to any of us or our belongings.

Overall, the combinations of beautiful green mountains, unique architecture, rich culture, and most importantly, genuine people, gives this country its vibrant atmosphere and sense of adventure.

–Josh Richman, euphonium 


  • -

Une Réflexion sur Notre Temps en Haïti

I could write for hours about the wild, unforgettable adventure that was supposed to be a relaxed morning trip to the Palais Sans-Souci and Citadelle from our hotel L’Habitation des Lauriers – the ride up and down the hill to and from the hotel, the motorcycles, the arduous climb up the mountain to the Palais Sans-Souci in heavy rain and wind, the horses, the villagers in the mountains, the vendors. I could write extensively about the amazing jam session we had with the brass players from the Holy Trinity Music School on the steps of the Palais Sans-Souci. I could write all about the incredulously long bus ride from Port-au-Prince to Cap-Haïtien, the uneven dirt roads that slithered precariously up and down mountains, and the oppressive strength of the AC on the bus (I think some of our souls are still on that bus). And those are the tales I’ll be raving about to my friends and family back home in the States once we leave the Dominican Republic. But that’s not what this post is about.

As we drive away from Haiti on a Dominican coach bus, I can’t help but be amazed by the incredible human connections we made in Haiti. Personally, I feel very, very lucky that I had the opportunity to learn French at a high level in high school from excellent teachers and that I was able to remember almost all of it. We’ve eaten dinners where I’ve spoken more French than English; it was amazing to be able to connect to the students at the Holy Trinity Music School in that manner. The first dinner we had in Port-au-Prince, I thought it was so funny that my conversation with a girl from the Holy Trinity Music School resulted in her giving me her number (she only spoke French). Since then, I have connected on WhatsApp and Facebook with quite the handful of HTMS students. I was amazed by how down-to-earth, geniune, fun-loving, and amicable they were. It was an absolute pleasure getting to know them over our short trip in Haiti and having the opportunity to play with them in concert in commemoration of the 2010 earthquake and to promote peace and reconciliation.

The students we met were absolutely delightful, but they are among a privileged few; a vast majority of Haitians don’t attend universities, stopping after primary and secondary school. I couldn’t help but notice the rampant poverty and hear about the political corruption that contributed to a general common inquietude about the state of the country. Even seven years after the earthquake, the city of Port-au-Prince is still suffering from the damages, as the American earthquake relief efforts were very poorly planned and executed. Over 300,000 people perished in the earthquake, including many in the HTMS boys’ choir as well as other members of HTMS. In this light, it meant even more to play with them in concert. At our first concert in Port-au-Prince, there was a brief moment where many people were angered by the arrival of the President, as his adminsistration has been corrupt and ineffectual. But even despite the hard times Haiti is going through, the people are proud and love their country. Coming from a country like the United States, I feel extremely lucky to live the life I live, and even here in Haiti, I felt extremely lucky that we were given among the best of services the country had to offer.

In the short amount of time we spent in Haiti, we also got a perspective on what life is like here. We truly got to understand the phrase “Nothing works, but everything works out,” as time after time the flow of the day’s events deviated from the planned schedule in such a fantastic manner that it was miraculous that we, our bags, and our instruments made it to our concerts and hotels. It’s not necessarily a bad thing that plans are so flexible here in Haiti, but coming from the Northeastern United States, it was a quite the culture shock.

I loved making new American and Haitian friends and making new memories in Haiti. It was a completely humbling experience, and one I will never forget.

–Michael Yee, trumpet


Our Mission

CU Winds unites student musicians in an ensemble dedicated to the study and performance of emerging and traditional wind repertoire. We explore music making as a vehicle for cross-cultural exchange and collaboration, and in doing so support Cornell's core values of public engagement and global awareness.